We use clothing as a signifier. We collect information on someone’s class, income, artistic preferences, political leanings or gender bias based on individual choices of... » Full Story
It became apparent in the days leading up to Montreal’s annual bicycle ice race that the term “ice” might be misleading, and that the entire event would have to be... » Full Story
Art Matters show The Body Is Obsolete, co-curated by Alissa Jafiarova and Claudia Burneo, probes questions of how nature and technology interact and how that interaction, in... » Full Story
It starts with dusty socks and a slide across the marble floor. Then, hot humid breezes surrender to northern winds, your dad lets the water run free and—abracadabra—come... » Full Story
Once upon a time, candidates would jockey for position at the bottom of the Hall building escalators, the seconds would tick down to midnight, the count would reach zero and a... » Full Story
After more than two decades of paying for Muslim prayer space at Sir George Williams campus, Concordia University says that it can no longer foot the bill.
Along with... » Full Story
The Festival of Films on the Rights of the Person of Montreal is a rather unwieldy title for a festival, but the difficulty you have in remembering it (or its French acronym, FFDPM) might be strangely suited to the tough subjects of the festival's films. FFDPM includes both documentaries and fictional films, such as the two showing at tonight's opening at Concordia: The End and The Day God Walked Away.
The Link Volume 30 Issue 25